nice price deal !!! new and exclusive reprise from black box ride on time. the original track was the biggest selling single in the uk in 1989 and still one of the top 1000 best selling singles ever in most of europe. inspired itself by loleatta holloways love sensation candy kept the main spirit of the original track and boosted it with actual electro house sounds. a must have

its been smashing clubs worldwide since the summer! nightrhymes deliver this addictive infectious club rocker. the standout vocal just sticks in your head and will have all singing along! it was destroyed venues worldwide from pacha funky room right through to hong kong and australia. dj meme gives an essential uplifting hands in the air club remix. alfred azzetto reworks this into a deep techy. steve of soulbasics fame bumps up the energy into a europhic electro dancefloor stopper! nightrhymes give 2 mixes, the club mix is a deep, dubby, bouncy affair whereas their space remix offer something for all the main room cats! the full package really does offer mixes for all tastes and crowds... support has been from all leading angles of the dj world including: dimitri from paris, franckie knuckles, purple music, le roi, panevino, matt caseli, andy ward, dj rocco, yass, christian hornbostel, audiowhores, graham sahara, central avenue, mr mike to name but a few few....

cazals release their first full single life is boring from their brilliant upcoming album what of our future. you may have seen and heard this bruising and frenetic track on the recent sony ericsson walkman campaign, which featured the video directed by bryan barber of outkast fame. life is boring features remixes all from friends of the band. one from ali love who was a founding member of cazals, and played bass! another from rory phillips who daniel and phil know only too well after spending practically every monday night with him for the last number of years at trash and finally a remix from crookers who are lucas favourite italian producer mates.

dj support - adam beyer, loco dice. marko nastic, marco bailey plus all the usual suspects not long after his discovery of techno, it was the harder, more precussive tastes of the swedish sound that initially inspired indiana based kyle geiger as a dj for years before the genres overall sound took a slower and softer turn. still loving the energy and power of the earlier phases of techno, while being greatly influenced by long time friends and minimal techno veterans such as jpls and skoozbot

played by laurent garnier, danny howells, tom wax, hernan cattaneo, pig & dan, darko esser, mauro picotto, mike monday… four years ago jacob trier (husley) and august jackobsen (gunz) hooked up in london through their love of music. jackobsen was coming to the end of his ba in jazz music at trinity college, whilst jacob was playing dnb at various parties in and around the city. teaming up and bringing together their talents, they initially formed the group >nocturnals<. exploring various musical boundaries from deep electronica and ambient to break beat with jazzy undertones, and live performances with brass sections and vocalists, nocturnals found support from gilles peterson who signed them up to perform as part of his glenfiddich tour. as nocturnals developed so did husley and gunzs interest for techno and house, and their live dj sets using laptop, sampler, keyboards and turntables really took off.

ealier support by chloe, giles smith and karotte. maik loewen was already infected by musiccalitis in early years. and there was also his increasing fascination for beats. it did not take long till he started playing the drums and synthesizer. with the tb 303 being one of his first instruments he immediately became addicted to electronic sounds and became quite skilled in using these new devices in his own productions. during his apprenticeship at the recording studios he produced his first tracks. at the same time he started his collaboration with oliver hacke and gabriel ananda. they supported him to get his first record deals. following his first releases on tonsport >arnika ep<, karmarouge >mezcal ep< and trapez >one year one month< and remix projects for walter dahn und jorge gebauhr, his latest ep on poikerflat >even if you sleep<, maik finally appears on karmarouge: the >backcountry camping ep<. his deep understanding for functional sounds and extremly pumping beats, combined with the right mixture of genius and insanity, enables mike to playfully produce upfront club-compatible music. >i dont like musical restrictions, what counts is the feeling of the moment, expressed in acoustic waves<. a perfect mixture that metamorphoses the dancefloor into a seething gladiators arena and wich become one of this genius minimal techno anthems who seems to fly higher more and more. not to forget the huge portion of groovy funkiness. the three tracks on the ep nicely explore different nuances of maik loewens present sound

kid ringo and ghetto priest present >life<. a coming together musically in early 2006 when acclaimed roots and dub vocalist ghetto priest(on u sound, african head charge, concscious sounds)first heard the seductive, leftfield beats from prague based producer james baseley(kid ringo).the track >life< was born, with ghetto priest penning the emotive and conscious lyrics. not content with their own musical vision some further fuel was added to the fire from a clutch of remixes from czech nu jazz maestro boris carloff and czech brokenbeat pioneer dj blue from eclectica(pragues only real bruk up club night!)the pairs debut release for red salamanda marks a return to the surface for the prague based label, who have been lying low biding their time of late. for further info and audio samples check the following myspace pages.

the new mojuba brings some fresh tunes from the always reliable oracy. the title track >rewound< is a deep and warm excursion into the sound cosmos that was build on the heritage of detroit and chicago. the flipside is called >hold me< and comes along as peak time cut with some hypnotic disco elements and a phat bassline to proof some serious floor qualities! thats how we like it!

cover of supermodes megahit >tell me why< which was based on bronski beats eighties classic >smalltown boy<. the release features a mega remix by dj zof and smb, which are producers that have massive support by the big deejays like pedroh, w4cko, gio, lethal mg

dieses system ist ein ergebnis eines kompetenten design-bündnisses zwischen technikexperten und dem weltberühmten dj q.bert der genau weiß was von einer perfekten ausrüstung erwartet wird. das ortofon q.bert hat eine geniale spurtreue und ist speziell fürs scratchen konzipiert. aufgrund seiner enormen ausgangsleistung ist es perfekt für alle musikrichtungen mit tiefen bassfrequenzen geeignet.perfekt fürs scratchen geeignet, sehr hohe spurtreue, hohe ausgangsleistung, ausgangsspannung bei 1000hz, 5cm/sek.: 11 mv, kanalbalance bei 1khz: 1.5 db, kanaltrennung bei 1khz: 22 db, frequenzbereich bei -3db: 20hz - 22khz, typ: sphärischer schliff, tip-radius: r 18 pm, auflagekraftbereich: 3 g (30 mn), empfohlene auflagekraft: 4 g (40 mn), gewicht: 18.5 g

this project was born of the american culture of consumption. field recordings were made in metropolitan shopping centers during the united states holiday season. conversations drifted into ambient sounds of money being spent, commerce being transacted. the results of these recordings were then sent to artists to be turned into music

a collaboration that was recorded in seoul, korea with local dons east4a and dj jinwook is a piece of gritty new york deep house topped off with some old school flavours

cache 008 was recorded by dutch producer jeroen schrijvershof, with a pacou re-interpretation on b2

northen france logarythm records was born in 2001 with jonas bering (kompakt) and tez (nightcats, k2)s famous records. for this third release, logarythm welcomes richie inkle who is usually releases its deep techno tracks on pseudo records. he was oftenly playlisted by biggest names such as laurent garnier, fabrice lig but also compiled on josh winks lastes mixed cd. richie is here giving us a minimal experience : both tracks are made with an hypnotic minimal techno, melodic sounds melted with the dancefloor touch he used us to

beef records are presenting a heavy release with exclusive remixes from stephan hinz, moonbeam and shuma. >ode ao sol< was one of the biggest progressive tracks of early 2007

supported by 2000 and one, anja schneider, jesse rose, loco dice, shlomi aber, trickski, tobi neumann, to name a few.. once again theres a real nod to the old school here in a track inspired by arthur russell. rich, warm analogue pads and subtle fx flashes from the space echo build an enchanting groove. the intensity gradually develops with sounds slowly evolving, lending a deep hypnotic feeling to proceedings, until the chord progression opens out and you cant help but smile. a genuine end of night anthem and when dixon does his own edit you know your onto something special... version: double for your money, with an extra version of the original that doesnt open out into the full stabs and maintains a deeper groove. martin landsky remix: with a tight, tribal tom pattern and straight ahead groove martin landsky achieves a darker more spaced out feeling with his remix. he pushes the pads to a dubbed out climax without fully opening out the progression and this fully hits the spot. martin landsky has been making waves as a dj and producer since the mid-nineties and is one of the key producers at steve bugs excellent poker flat recordings and running his own intim records.. hes compiled many mix cds for labels such as poker flat, systematic and the partysan compilation series. his debut album was >in between< for pokerflat and since then hes remixed the great & good as well as producing several stunning releases and jetting about with his box of records

jedesmal wenn einer im büro diese platte auflegt, frage ich: >was ist denn das nochmal ? ist ja total geil.< die antwort steht schon oben und heisst sascha funke - mango !!

was passiert wenn man minilogue & zwei jazzer in ein studio einschliesst ? imps ! ein projekt, dass sich in erfrischender weise an acts wie chicken lips anlehnt und sich hier mit einer spannenden session verewigt!! album folgt....

incl. kollektiv turmstrasse mix, after a while of absence johnjon returns with his 2nd solo release. johnjon started his musical career in electronic music working together with experienced producers in the studio, but in the end it was never satisfying for him. so he decided to lock himself up in the studio and dont come out till everything is right. he just got out of there and delivers the this stunning track. meanwhile is hypnotic and moving, groovy and a little trancy but definitely emotional. the breathing pad cuts through and the small but define changes make everything fit together. a perfect combination of a catchy theme and a solid groove. the remix is delivered by kollektiv turmstrasse, already known from successful releases on labels such as connaisseur rec, diynamic, ostwind and musik gewinnt freunde. christian and nico (kt) took the pad and squeezed out a groovy houseline, fit it into their beats and added a little bit of funk outcome is a wicked release. it is released on the label >baalsaal<, the new sophisticated label, the public transport of emotions

uk based label , owned by james warren & arnaud le texier more description soon. carmelo cutuli a.k.a. derrik nasce a catania nel 1986, da sempre appassionato di musica techno, viene attratto da artisti come james holden e adam beyer che influiranno notevolmente nel suo cammino musicale. a soli 14 anni inizia ad avvicinarsi nel modo della composizione fino ad arrivare al suo debutto nel 2007 su ocean dark con >young groove ep< insieme all amico salvo carel con cui inizia una collaborazione, che vedr‡ la realizzazione di molti altri progetti. carmelo cutuli aka derrik was born in catania in 1986, always fond of techno

the west flanders connections, the label owned byfred hush is up for its 3rd release, presenting partner noseda. the first track is called >x-or track< and presents kind of a music storm coming up where old school housey techno impresses with percussion layers. a fat bass bounces towards a very uplifting peak-time break. better get ready for its massive sound! the track was already compiled for a >10 days off< promo cd sampler. after huge response they decided to press the track on vinyl. flipside has >click clack<, a very deep electronic music dj–tool track, beginning in silence but the further you go the more party you get.

limited to 800 coloured vinyl - purple transparent !! the follow-up of >male isms< which was released in 2004 comes along with two variations of the track >gothan<, a timeless deephouse track and it s beatless dub version. the main title >male kicks< is an upbuilding funky techno track that starts with african tribal sounds and smooth percussion before it twists into a stormer

the first release from blood & tears on karateklub was played and charted by dominik eulberg & chris liebing! so get ready for the next bloody strike: run with the bullet! at this time he gets support from perc (drumcode / kompakt) with a remix from >run with the bullet<! what can you expect? straight and dirty techno!

as we found this fabolous track from bruce lenkei, we couldnt believe that this was not an original from the cosmic era, instead it is a new production. this track immediately came on to us very strong with its magic sounds and the great atmosphere, which describes the title best. after we included the moonlightzombiedance into our mix for the d.i.r.t.y soundsystem from paris, we got crazy feedback from around the globe and so we decided to put it on wax. on the remix duties we have the hot talented michoacan, who earned himself a very good reputation with 12inches on labels like bear enterainment, grayhound recordings, tiny sticks and lektroluv under his belt. most recently he also got remixed by the almighty dj harvey and the glimmers. he speeded the tempo of the original way up and transformes it into a crazy krautrock stepper in the vain of goblin. it makes the people dance like zombies on speed - we experienced :). if you dig the zombiezombie stuff you will love this one.

back in march 07, drag city issued rtxs second ball busting album, under a title that we all really loved and you did too. but the man! the man came down on them, telling drag city that in a court of law the album with that title would be struck down and that they must cease and rethink. thusly armed, drag city went to rtx and told them that a rebirth was at hand. fortunately, they were up for the change - and ratx is the inevitable result! containing the exact same contents as its former self, ratx has the additional benefit of being released in a super limited vinyl edition.

our fergie seems to have been around for while now, yet at 28, we forget that he was just a lad when he began the amazing journey, that, upto now, he is still riding. his productions are goin from strength to strength - massive support on this absolute corker of a record - respect to the wee fella from larne

excellent and rare set from the highly respected roots group cultural roots originally released in 1984, which is now re mastered and gets a vinyl repress for the first in well over 20 years. recorded at channel one studios, jamaica, produced by henry junjo lawes, mixed by scientist and utilising the talents of the roots radics, this album still sounds as fresh and thrilling as it did when it was originally released. the albums features the popular love feelings, cut of john holts evergreen police in helicopter rhythm and the big hit hell a go pop a big favourite with reggae sound systems during 1984.

on the seventh cut syndikaat records proudly presents the first remix ep. fasten your seatbelts cause we got some great names on it. kanzleramt labelowner and legendary producer heiko laux presents two reworks of the hardcell & grindvik anthem shinogi, which was originally released on syndikaat 002 and got played by many of the topjocks worldwide

tobias lüke a.k.a. obi achieved success, knowledge and respect at an early stage – his connection with electronic music was set at the age of 13 where he started spinning and later developing his own craft. soon after appearing at the local decks he won a newcomer contest at the world famous fusion club, founded his label tekktribe and nowadays has grown to an established name for hardtechno, plays all around the globe and works with the likes of pet duo, andreas kremer, arkus p. and more. his first releases raised to the top of hardtechno playlists and charts !!

!! vinyl exclusive till early march 2008 !!! incl rmxs by par grindvik & hardcell !! the idea for >dubfix< was already sketched out right after the production for the >waves< album. now, finally the song got his club-dress on. hardcell & grindvik took heiko >sharpened< to their board and designed it very modern from the scratch

the tracks from the recently released full length of nublu orchestra beg for remixes, and the underground resistance militiamen take up the task for sketches of nyc. the i 80 mix is a big thumper, using a scatted vocal line and dissonant horn hits from the original to add drama to the build of an acid bassline and some tastefully tribal drums. the seventh tunnel mix falls squarely in the tech jazz genre that was essentially invented by the detroit collective. the original elements of sketches are used generously, with what seems like a grace note on the upright being turned into a looped bassline, over which the lead vocals and saxophone ping back and forth. must have!!

>grandbend< was considered by many to be the dreamiest and deepest track from the deepchord catalogue. a classic example of the sound that dc defined. the 2500 mastertape has been unearthed and threaded-up one more time for echospace 005. massive, billowing plumes of sound. undulating masses of smoky haze, muffled kicks, and murky sub bass. this double pack includes the original (re-mastered), and features new mixes from echospace, cv313 & an updated mix from deepchords rod modell. ultra ltd edition: 1000 copies (not to be repressed)

rebekahs second instalment on criminal records is a 2 track ep. moving flawlessly into techno with 2 beautifully crafted pieces, freakonomics is a deep work out of sub heavy bongos, a haunting melodic synth line and stripped riding percussion with layers of effects building into an atmospheric breakdown. neo is more up-tempo with shuffling percussion and rolling bass that leads into deep rich synth stabs. radio 1 was quick to pick up neo airing it on mistress de funk s residency show last week and both tracks are gaining huge support from the likes of funk d void, greg vickers, mark knight and yousef

remixed by whitenoise, knightlife & zzz last time i wrote about the bag raiders fun punch i went on some rant about me being in ibiza, on the floor in the main room at pacha, listening to erick more morillo play filtered french house, i had my hand s the air, the lasers were in full effect, the italian girls were looking fine and my ecstasy was working overtime. i declared that it would of been the best song of the nite, a song so great that you would of bathed in ericks sweat and wouldn t feel at all weird about it at all. now after caning this every set all over the world in the last 6 months i take it back. all of it

in the beginning the was a dream, a dream to become part of the living womb of good music. a dream of being real, true to myself and i set this dream to fly high. days and years passed by and i didn t seem to find response but one day in the arkest hour came the light and then i knew i had to hustle it s a song about my determination to express myself widely whitin the realm of good music, won t be selling my soul, won t be taking the easy path, its all about what is real, training harder and harding until i get what i want: the pure sound of goodness for the dancefloor, for my life and the whole world. that s how i hustle. abicah soul confuzed well this track started as another track but i took the sounds from anohter track put with this that how i came up with the idea confused .i started listening sounded good i stuck with it.onw word deep stephen rigmaiden jeepin basically jeepin was done and i was listening to acapella s for like 2 weeks trying to find the right vocal snippets. my thoughts were how was i going to get franck s interest? i knew the track was done but for him to pick it up it needed a vocal. then i came across the perfect vox. i used a montage of a few different vocals, some hip hop elements, some jazz elements, some gospel elements, ill leave up to you to decipher. i knew i wanted a raw, kinda hip hop type of feelingas well, something you can get on the dance floor and go uggh!, that s my shit!! or damn i gotta get in that circle and show em whats up! i made it for the dancers out there, b- boys, house dancers , or jus ya regular club kids. trying to get the crowd hype is always my intentions , i feel this track does jus that. now get on the dance floor and recognize the sound!

the ron hardy tribute juggernaut rolls on with two more flashes of enlightenment. a slice of salsoul scorcher is paired with the cooler vibe from chris & cosey. >i remember ron hardy dropping nitzer ebb (hard industrial band) in between records by marshall jefferson and adonis.< says scott k. (more club, los angeles >in urb magazine theres an article on felix da housecat where he mentions frankie knuckles dropping cuts from bands like new order. he then credits (rightfully so) ron hardy for starting that.< >ron was more adventurous that frankie knuckles. frankie would play straight disco but ron would play all kinds of stuff. hed play eurythmics, he play man parrish, hed play shannon, right along with the disco. and man, he just stole all of frankie knuckles crowd.< - marshall jefferson deep underground chicago staple of music played by the chose few to the ones who truly know how deep it is. now its time for the masses to feel the real deepness of the true chicago 80s era of music. only ten percent of what happened here in the 80s, is known to the rest of the world. dont you want to be a member?

neww tracks from mountain peoples rozzo supported by matthias tanzmann, shinedoe, 2000 and one, tobi neumann and karotte. rozzo has descended from the hills to drop two underproduced djtools that have been successfully tested on various dancefloors. nothing that will push boundaries of electronic music, however, lots of fun & function

comtron decide to keep the message subliminal and put on their dancing shoes. a short version was originally released on the >follow the money< album. this 12inch version is the full deal: hypnotic, uplifting and carefree dance music. let their music entrance you

its time to introduce a new talent on the block c-system. operating from the sunny spain and one of his very first official releases was immediately charted by none other than dave clarke! alongside his contribution to the rotterdam based patterns, c-system also signed some impressive new from from his hand to adult (run by paul hazendonk). stephane signore supports this propelling dancefloor monster with a remix that will rock the crowd big-time!

maybe you remenber of first release by delete on safari (saf015). this ep has his first hit for him... ever repressed more 2 times...it was one of the powerful release on sf. now they back with more experience and for this new ep... hes loking for a hypnotic minimal bliss. >what are you laughin< .its more housey minimal dubby sound like chilian boys can play in long set. you must check this track... its really interesting ! what are another different way but sill in the groove

dj harvey children >foolish felix< and most well known keyboard player in uk disco scene >pete z< aka das etwas returned to mule. last 12inch >international news< was a big favorite of ivan smagghe and name a few. the title track >escape from the scapegoat< is dirty new wave disco track and its a one of the most danceable track of them. if you love smith n huck, prins thomas etc.. ,you will love this track. >chicago halal< is a wild progressive rock sound and you will listen fantastic pete zs keyboard melody at >lick the nose<

support comes from chloe, simon baker, rob mello, nuno dos santos. two face was featured on the recent moodmusic 10 years mix-cd by sasse, with a softbottom bass but hardhitting percussion and synthwork, this has been a secret weapon for many. lars sandberg aka funk d void loved the original so much that he promised to deliver a remix - and he did. slamming claps combined with a early strictly rhythm stabs and immense breakdowns drives this to the top. watt zone is a totla diffent beast, based on a more house feel, combining dreamy synth yet driving beats , this will be a hot one for the more discerning floors

ghostbusters is one of the most famous movies from the 80 s and so is the soundtrack! now it s time for the new soundtrack - packed in a new groovy style. produced was this new version by the one who is also responsable for the project steve n king and the rap vocals are from no one else than dj van tell who is the support act for the whole forthcoming 50 cent tour.

finally we manage to get a new ep from the man carl falk. he was the first on the label with the great hz-1 and hz-3-eps that we repressed all the time. you know what to expect and this is no exception, full on tribal-party-techno all the way. the first track is with a little acid twist. the rest is just full-on massive grooves!

the eponimous release of detroit wax.coms 1st single is already reason enough to be hyped! that could not be all could it…? of course not! it also smarts so good as it is the first ever proper release of eric d. clark in the states, plus since it was liscensed from firm recordings by eddie fowlkes for his spankin (to coin a term) new label www.detroitwax.com, implies that this song is definitely of the highest in dance music quality!

igor tchkotoua and dan duncan are true workaholics. not only are the two mallorquinos forming one of the most exciting techno duos of our time and play in the most famous clubs worldwide, they always make it to pop up in the studio to work on their releases on sonic society, wig records or like in the case of >deliverance<, the new 12inch on cocoon. >deliverance< starts quite cautious but the track becomes more and more complex – pig & dan give the dj a tool that fits the minimal raver like a custom-made suit. the b side is again one of those tracks that put a smile on your face. in >sly detector<, atmospheric techno sound unites with energetic celebration pleasure, just as we know it from tracks like >after ibiza< or >on to the beat<. the rolling hookline which has the necessary splash of acid is, together with the floating trance layer, adrenalising to such extent that nothing else remains to be done but to raise your hands in the air. the track was already a hit with many djs in 2007, and will be one – chosen in the right moment – on many dancefloors in 2008, too

repress !!this time the mojuba sublabel brings us the second part of the detroit-series by the label owner don williams himself. this one-sided record features two fine examples of music inspired by the city of d. the first one is a pumping peak time cut to hit the dancefloors and might become an essential tool for the ambitious dj. the second track convinces in its very own character, providing a feeling that many will recognize from the early years of techno, when this music was connected to the listener more in a deep and emotional way than we know it from today!

dj antoine vs. mad mark & doc phat delivered new high class remixes, in fact they are making this track even larger than it already was!! also appearing the original mixes from stonebridge & global brothers which are still collector items!! a must have!

anil chawla is relatively a newcomer on the uk scene, having emerged in 2004 as dj to watch, he already released productions on such labels as global underground, saved, cubism, or berwick. anil has been sending me his work for quite some months now and everytime there was a track to play. so its naturally that we started talking about a possible release on kill brique. anils music got the necessary energy to move any dancefloor, he knows the game, and he knows how to shake your ass. this ep is here to prove that : >together< is an acid monster (reminds me, oh surprise, some of the hardfloor stuff) that builds into a very nice breakdown